Colonial Discourse and Post-colonial Theory: a Reader. In: Laura Chrisman and Patrick Williams (eds.). Past the Last Post: Theorizing Post-Colonialism and Post-Modernism. “Maori literature: protest and affirmation.” Pacific Studies 15/4: 283-309. Queen’s University Kingston, Ontario, Canada. In: UNSETTLING WHITENESS: Hulme, Ondaatje, Malouf and Carey. “A borderless world? From colonialism to transnationalism and the decline of the nation-state.” Critical Inquiry 19/4: 726-751. The Circle and the Spiral: A Study of Australian Aboriginal and New Zealand Maori Literature. “The silence of the lambs: childhood disabilities, gender ambiguities, and postcolonial detectives in Keri Hulme’s The Bone People and Peter Høeg’s Smilla’s Sense of Snow”. “Who can write as Other?” In: Bill Ashcroft, Gareth Griffiths and Helen Tiffin (eds.).

Journal of New Zealand Literature 24/1: 11-35. “‘Pakeha-style biculturalism’ and the Maori writer”. Westport: Greenwood Press, 21-30.ĭuring, Simon (1985). English Postcoloniality: Literatures from Around the World. In: Radhika Mohanram and Gita Rajan (eds.). “Out of the center: thoughts on the postcolonial literatures of Australia and New Zealand”. London: Prentice Hall, 1-25.Ĭlifford, James (1989). Asia/Pacific as Space of Cultural Production. “The last frontier: memories of the postcolonial future in Keri Hulme’s The Bone People”. Postmodern space, postcolonial times and the trials of cultural translation”. Journal of New Zealand Literature: JNZL 24/1: 130-147. “From narrative prosthesis to disability counternarrative: reading the politics of difference in Potiki and The Bone People”. Īshcroft, Bill, Gareth Griffiths, and Helen Tiffin (2007). ARIEL: A Review of International English Literature 32/2: 7-27. “Good-eating: ethics and biculturalism in reading The Bone People”.

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